This book isn't the savvy political work it purports to be: it's a prose poem full of self-loathing about one woman's own deep ambivalence about being a woman,' said Janet Halley, a professor at Harvard Law School and author of Split Decisions: How and Why to Take a Break from Feminism
'She represents women as being a nasty morass of repressed instinct. I don't recognise any of the men or women I know in her reductionist portraits, but it's interesting to see a woman embracing her own misogyny.'
(h/t Karl)
